Boss politics in Japanese movies

Recently, I watched a Chinese-Japanese co-production of the film "The King’s Kingdom" based on the original comic book of the same name.
The original "King’s World" comic book has been serialized in Japan for 13 years. It has accumulated more than 40 million copies of amazing sales. It is regarded as "absolutely impossible to be realistic" by fans because of the huge war scenes and complex characters in the pre-Qin period of China. The adaptation of the film, the author of the original Taijiu personally participated in the scriptwriter, took two years to complete.
"King of the World" describes the protagonists of orphan origin "Xin" and "Wandering". In the era of frequent wars, in order to get rid of slavery, strive to practice sword, aspire to become a general, unexpectedly involved in the controversy over the throne of King Qin. There is a grand pattern of unification of imperial dreams in the Great Age, as well as the enthusiasm of small people to fight against the refusal of the upper-class royal families to be transfused. Among them, the selected protagonist also has the plot of Shadow in order to serve as a substitute for the government.
Japanese troupes performed Chinese Pre-Qin history in Japanese, which was quite abrupt. However, with the promotion of the plot, historical figures such as Fang Zheng, Li Si and Chengjiao appeared one after another, and soon entered the familiar plot of the court throne contest. The passionate lines, exaggerated performance style and the striking personality of the characters add a lot of jokes, reflecting the style of Japanese hot-blooded movies. Shanghai Overseas Beach Center